Focus on Rexzil — Bench Body of Work

Grace, shape, and the movement of confidence.

Every artist has a rhythm, and for Rexzil Salilig Paayas, that rhythm begins in motion. Known to many as a Miss Cagayan de Oro runner-up and now as one of the faces who walked for Bench’s Body of Work, Rexzil’s story is built on movement — both in dance and in life.

When she steps into a room, you notice how she carries herself — grounded, poised, and fluid. That dancer’s discipline shapes her modeling. Every gesture has intention. Every line, every pose, comes from an awareness of form that only someone trained in movement can bring.

So when she returned to The Factory Studio for her latest shoot, we designed it around that very idea — shape and motion. No rigid poses, no over-directed angles. Just light, shadow, and the freedom to move.

The set was minimal — clean backdrop, controlled lighting, and space wide enough for her to express. We built the shoot around fluidity, letting Rexil translate dance into stillness, and stillness back into motion. The results were powerful. Every frame carried energy — the quiet kind that doesn’t demand attention but holds it anyway.

Her recent success with Bench Body of Work made this moment even more special. To us, she isn’t just a model who walked a national runway. She’s an artist finding new ways to express herself — someone who knows how to shape light with her body and turn presence into story.

For The Factory Studio, this shoot wasn’t just about fashion or form. It was about celebrating the body as language — how movement can become message, and how a dancer can teach us that confidence isn’t static. It moves.